Hu lived in Nanjing during the transition from the Ming dynasty to the Qing dynasty. A Ming loyalist, he was offered a position at the rump court of the Hongguang Emperor, but declined the post, and never held anything more than minor political office. He did, however, design the Hongguang Emperor's personal seal, and his loyalty to the dynasty was such that he largely retired from society after the emperor's capture and death in 1645. He owned and operated an academic publishing house called the Ten Bamboo Studio, in which he practised various multi-colour printing and embossing techniques, and he employed several members of his family in this enterprise. Hu's work at the Ten Bamboo Studio pioneered new techniques in colour printmaking, leading to delicate gradations of colour which were not previously achievable in this art form. (Full article...)
Image 2
The field shortly after the start.
The men's road race, a part of the cycling events at the 2008 Summer Olympics, took place on August 9 at the Urban Road Cycling Course in Beijing. It started at 11:00 China Standard Time (UTC+8), and was scheduled to last until 17:30 later that day. The 245.4-kilometre (152.5 mi) course ran north across the heart of the Beijing metropolitan area, passing such landmarks as the Temple of Heaven, the Great Hall of the People, Tiananmen Square and the Beijing National Stadium. After rolling over relatively flat terrain for 78.8 km (49.0 mi) north of the Beijing city center, the route entered a decisive circuit encompassing seven loops on a 23.8 km (14.8 mi) section up and down the Badaling Pass, including ramps as steep as a 10 percent gradient.
The race was won by the Spanish rider Samuel Sánchez in 6 hours, 23 minutes, 49 seconds, after a six-man breakaway group contested a sprint finish. It was the first medal in the men's individual road race for Spain. Davide Rebellin of Italy and Fabian Cancellara of Switzerland, finishing second and third place with the same time as Sánchez, received silver and bronze medals respectively for the event. The hot and humid conditions were in sharp contrast to the heavy rain weathered in the women's road race the following day. (Full article...)
After the Chinese Communist Revolution, the Party sought to memorialize their achievements through artworks. Dong was commissioned to create a visual representation of the October 1 ceremony, which he had attended. He viewed it as essential that the painting show both the people and their leaders. After working for three months, he completed an oil painting in a folk art style, drawing upon Chinese art history for the contemporary subject. The success of the painting was assured when Mao viewed it and liked it, and it was reproduced in large numbers for display in the home. (Full article...)
Image 4
The Sakyamuni Buddha, by Song painter Zhang Shengwen, c. AD 1181–1186; although Buddhism was in decline and under attack by Neo-Confucian critics in the Song era, it nonetheless remained one of the major religious ideologies in China.
Chinese society during the Song dynasty (AD 960–1279) was marked by political and legal reforms, a philosophical revival of Confucianism, and the development of cities beyond administrative purposes into centers of trade, industry, and maritime commerce. The inhabitants of rural areas were mostly farmers, although some were also hunters, fishers, or government employees working in mines or the salt marshes. Conversely, shopkeepers, artisans, city guards, entertainers, laborers, and wealthy merchants lived in the county and provincial centers along with the Chinese gentry—a small, elite community of educated scholars and scholar-officials. As landholders and drafted government officials, the gentry considered themselves the leading members of society; gaining their cooperation and employment was essential for the county or provincial bureaucrat overburdened with official duties. In many ways, scholar-officials of the Song period differed from the more aristocratic scholar-officials of the Tang dynasty (618–907). Civil service examinations became the primary means of appointment to an official post as competitors vying for official degrees dramatically increased. Frequent disagreements amongst ministers of state on ideological and policy issues led to political strife and the rise of political factions. This undermined the marriage strategies of the professional elite, which broke apart as a social group and gave way to a multitude of families that provided sons for civil service.
Confucian or Legalist scholars in ancient China—perhaps as far back as the late Zhou dynasty (c. 1046–256 BC)—categorized all socioeconomic groups into four broad and hierarchical occupations (in descending order): the shi (scholars, or gentry), the nong (peasant farmers), the gong (artisans and craftsmen), and the shang (merchants). Wealthy landholders and officials possessed the resources to better prepare their sons for the civil service examinations, yet they were often rivaled in their power and wealth by merchants of the Song period. Merchants frequently colluded commercially and politically with officials, despite the fact that scholar-officials looked down on mercantile vocations as less respectable pursuits than farming or craftsmanship. The military also provided a means for advancement in Song society for those who became officers, even though soldiers were not highly respected members of society. Although certain domestic and familial duties were expected of women in Song society, they nonetheless enjoyed a wide range of social and legal rights in an otherwise patriarchal society. Women's improved rights to property came gradually with the increasing value of dowries offered by brides' families. (Full article...)
Image 5
A cannon is a large-calibergun classified as a type of artillery, which usually launches a projectile using explosive chemical propellant. Gunpowder ("black powder") was the primary propellant before the invention of smokeless powder during the late 19th century. Cannons vary in gauge, effective range, mobility, rate of fire, angle of fire and firepower; different forms of cannon combine and balance these attributes in varying degrees, depending on their intended use on the battlefield. A cannon is a type of heavy artillery weapon.
The word cannon is derived from several languages, in which the original definition can usually be translated as tube, cane, or reed. In the modern era, the term cannon has fallen into decline, replaced by guns or artillery, if not a more specific term such as howitzer or mortar, except for high-caliber automatic weapons firing bigger rounds than machine guns, called autocannons. (Full article...)
From 1643 to 1650, political power lay mostly in the hands of the prince regent Dorgon. Under his leadership, the Qing conquered most of the territory of the fallen Ming dynasty, chased Ming loyalist regimes deep into the southwestern provinces, and established the basis of Qing rule over China proper despite highly unpopular policies such as the "hair cutting command" of 1645, which forced all Qing male subjects to shave their forehead and braid their remaining hair into a queue resembling that of the Manchus. After Dorgon's death on the last day of 1650, the young Shunzhi Emperor started to rule personally. He tried, with mixed success, to fight corruption and to reduce the political influence of the Manchu nobility. In the 1650s, he faced a resurgence of Ming loyalist resistance, but by 1661 his armies had defeated the Qing's last enemies, Koxinga and the Prince of Gui, both of whom would succumb the following year. (Full article...)
Image 7
Dragon: The Bruce Lee Story is a 1993 American biographicaldrama film directed by Rob Cohen. The film stars Jason Scott Lee, with a supporting cast including Lauren Holly, Nancy Kwan, and Robert Wagner. The film follows the life of actor and martial artist Bruce Lee (Jason) from his relocation to the United States from Hong Kong to his career as a martial arts teacher, and then as a television and film actor. It also focuses on the relationship between Bruce and his wife Linda, and the racism to which Bruce was subjected.
The primary source of the screenplay is Cadwell's 1975 biography Bruce Lee: The Man Only I Knew. Other sources include Robert Clouse's book Bruce Lee: The Biography and research by Cohen, including interviews with Cadwell and Bruce's son, Brandon Lee. Rather than a traditional biographical film, Cohen decided to include elements of mysticism and to dramatise fight scenes to give it the same tone as the films in which Bruce starred. Dragon was filmed primarily in Hong Kong, Los Angeles and San Francisco. (Full article...)
Image 8
The 2001 Tiananmen Square self-immolation incident took place in Tiananmen Square in central Beijing, on the eve of Chinese New Year on 23 January 2001. There is controversy over the incident; Chinese government sources say that five members of Falun Gong, a new religious movement that is banned in mainland China, set themselves on fire in the square. Falun Gong sources disputed the accuracy of these portrayals, and claimed that their teachings explicitly forbid violence or suicide. Some journalists have claimed that the self-immolations were staged.
According to Chinese state media, a group of seven people had travelled to Beijing from Henan province, and five set themselves on fire on Tiananmen Square. In the Chinese press, the event was used as proof of the dangers of Falun Gong, and was used to legitimise the government's campaign against the group. (Full article...)
Image 9
Peking opera in Shanghai, 2014
Peking opera, or Beijing opera (Chinese: 京劇; pinyin: Jīngjù), is the most dominant form of Chinese opera, which combines instrumental music, vocal performance, mime, martial arts, dance and acrobatics. It arose in Beijing in the mid-Qing dynasty (1644–1912) and became fully developed and recognized by the mid-19th century. The form was extremely popular in the Qing court and has come to be regarded as one of the cultural treasures of China. Major performance troupes are based in Beijing, Tianjin and Shanghai. The art form is also preserved in Taiwan, where it is also known as Guójù (Chinese: 國劇; lit. 'National opera'). It has also spread to other regions such as the United States and Japan.
Peking opera features four main role types, sheng (gentlemen), dan (women), jing (rough men), and chou (clowns). Performing troupes often have several of each variety, as well as numerous secondary and tertiary performers. With their elaborate and colorful costumes, performers are the only focal points on Peking opera characteristically sparse stage. They use the skills of speech, song, dance and combat in movements that are symbolic and suggestive, rather than realistic. Above all else, the skill of performers is evaluated according to the beauty of their movements. Performers also adhere to a variety of stylistic conventions that help audiences navigate the plot of the production. The layers of meaning within each movement must be expressed in time with music. The music of Peking opera can be divided into the xīpí (西皮) and èrhuáng (二黄) styles. Melodies include arias, fixed-tune melodies and percussion patterns. The repertoire of Peking opera includes over 1,400 works, which are based on Chinese history, folklore and, increasingly, contemporary life. (Full article...)
Image 10
The Western Han dynasty in 2 AD
Principalities and centrally-administered commanderies
The Han dynasty was an imperial dynasty of China (202 BC – 9 AD, 25–220 AD) established by Liu Bang and ruled by the House of Liu. The dynasty was preceded by the short-lived Qin dynasty (221–206 BC) and a warring interregnum known as the Chu–Han Contention (206–202 BC), and it was succeeded by the Three Kingdoms period (220–280 AD). The dynasty was briefly interrupted by the Xin dynasty (9–23 AD) established by the usurping regent Wang Mang, and is thus separated into two periods—the Western Han (202 BC – 9 AD) and the Eastern Han (25–220 AD). Spanning over four centuries, the Han dynasty is considered a golden age in Chinese history, and had a permanent impact on Chinese identity in later periods. The majority ethnic group of modern China refer to themselves as the "Han people" or "Han Chinese". The spoken Chinese and written Chinese are referred to respectively as the "Han language" and "Han characters".
Tintin in Tibet (French: Tintin au Tibet) is the twentieth volume of The Adventures of Tintin, the comics series by Belgian cartoonist Hergé. It was serialised weekly from September 1958 to November 1959 in Tintin magazine and published as a book in 1960. Hergé considered it his favourite Tintin adventure and an emotional effort, as he created it while suffering from traumatic nightmares and a personal conflict while deciding to leave his wife of three decades for a younger woman. The story tells of the young reporter Tintin in search of his friend Chang Chong-Chen, who the authorities claim has died in a plane crash in the Himalayas. Convinced that Chang has survived and accompanied only by Snowy, Captain Haddock and the Sherpa guide Tharkey, Tintin crosses the Himalayas to the plateau of Tibet, along the way encountering the mysterious Yeti.
Following The Red Sea Sharks (1958) and its large number of characters, Tintin in Tibet differs from other stories in the series in that it features only a few familiar characters and is also Hergé's only adventure not to pit Tintin against an antagonist. Themes in Hergé's story include extrasensory perception, the mysticism of Tibetan Buddhism, and friendship. Translated into 32 languages, Tintin in Tibet was widely acclaimed by critics and is generally considered to be Hergé's finest work; it has also been praised by the Dalai Lama, who awarded it the Light of Truth Award. The story was a commercial success and was published in book form by Casterman shortly after its conclusion; the series itself became a defining part of the Franco-Belgian comics tradition. Tintin in Tibet was adapted for the 1991 Ellipse/Nelvana animated series The Adventures of Tintin, the 1992–93 BBC Radio 5 dramatisation of the Adventures, the 1996 video game of the same name, and the 2005–06 Young Vic musical Hergé's Adventures of Tintin; it was also prominently featured in the 2003 documentary Tintin and I and has been the subject of a museum exhibition. (Full article...)
Image 12
Engravings on a cliff-side near a widely accepted candidate site for the battlefield, in the vicinity of Chibi, Hubei. The engravings are at least 1000 years old, and include the Chinese characters 赤壁 ('red cliffs') written from right to left.
The Battle of Red Cliffs, also known as the Battle of Chibi, was a decisive naval battle in China that took place during the winter of AD 208–209. It was fought on the Yangtze River between the forces of warlords controlling different parts of the country during the end of the Han dynasty. The allied forces of Sun Quan, Liu Bei, and Liu Qi based south of the Yangtze defeated the numerically superior forces of the northern warlord Cao Cao. By doing so, Liu Bei and Sun Quan prevented Cao Cao from conquering any lands south of the Yangtze, frustrating Cao Cao's efforts to reunify the territories formerly held by the Eastern Han dynasty.
The allied victory at Red Cliffs ensured the survival of Liu Bei and Sun Quan and left them in control of the Yangtze, establishing defensible frontiers that would later serve as the basis for the states of Shu Han and Eastern Wu during the Three Kingdoms period (220–280). Historians have arrived at different conclusions in their attempts to reconstruct the timeline of events at Red Cliffs. The location of the battlefield itself remains a subject of debate: most scholars consider either a location southwest of present-day Wuhan, or a location northeast of Baqiu in present-day Yueyang, Hunan as plausible candidate sites for the battle. The battle has been the subject of or influenced numerous poems, dramas, movies and games. (Full article...)
Image 13
Song dynasty river ship armed with a trebuchet catapult on its top deck, from the Wujing Zongyao
The Battle of Caishi (Chinese: 采石之戰) was a major naval engagement of the Jin–Song Wars of China that took place on November 26–27, 1161. It ended with a decisive Song victory, aided by their use of gunpowder weapons.
A Yuan-era stele in the ruins of the Cross Temple. Another stele (left) and some scattered groundwork (right) are visible in the background.
The Cross Temple (Chinese: 十字寺; pinyin: Shízì sì) is a former place of worship in Fangshan, Beijing. The temple was used during different periods by Buddhists and early Chinese Christians. Though it was originally built as a Buddhist temple, some scholars hypothesise that it saw Christian use during the Tang dynasty (618–907). The temple was used by Buddhists during the Liao dynasty (916–1125) and by Christians during the Yuan dynasty (1271–1368). It returned to Buddhist use during the Ming dynasty (1368–1644), before being sold in 1911. It was first recorded in modern scholarship in 1919, damaged during the Cultural Revolution, and re-established as a national-level protected site in 2006. Some scholars consider it to be the only place of worship of the Church of the East (also known as Nestorian Christianity) discovered in China.
Today, the site features two ancient steles, as well as groundwork and the bases of several pillars. The steles date to the Liao and Yuan dynasties, but their inscriptions were tampered with during the Ming. During the early 20th century, two stone blocks carved with crosses and other patterns were also discovered at the site, with one of them also bearing an inscription in Syriac. The blocks are presently on display at the Nanjing Museum. (Full article...)
The economy of the Han dynasty (206 BC – 220 AD) of ancient China experienced upward and downward movements in its economic cycle, periods of economic prosperity and decline. It is normally divided into three periods: Western Han (206 BC – 9 AD), the Xin dynasty (9–23 AD), and Eastern Han (25–220 AD). The Xin regime, established by the former regent Wang Mang, formed a brief interregnum between lengthy periods of Han rule. Following the fall of Wang Mang, the Han capital was moved eastward from Chang'an to Luoyang. In consequence, historians have named the succeeding eras Western Han and Eastern Han respectively.
The Han economy was defined by significant population growth, increasing urbanization, unprecedented growth of industry and trade, and government experimentation with nationalization. Another large component of the government is that it was run by influential families who had the most money. In this era, the levels of minting and circulation of coin currency grew significantly, forming the foundation of a stable monetary system. The Silk Road facilitated the establishment of trade and tributary exchanges with foreign countries across Eurasia, many of which were previously unknown to the people of ancient China. The imperial capitals of both Western Han (Chang'an) and Eastern Han (Luoyang) were among the largest cities in the world at the time, in both population and area. Here, government workshops manufactured furnishings for the palaces of the emperor and produced goods for the common people. The government oversaw the construction of roads and bridges, which facilitated official government business and encouraged commercial growth. Under Han rule, industrialists, wholesalers, and merchants—from minor shopkeepers to wealthy businessmen—could engage in a wide range of enterprises and trade in the domestic, public, and even military spheres. (Full article...)
Chinese aristocrat cuisine (Chinese: 官府菜; pinyin: guānfǔ cài) traces its origin to the Ming and Qing dynasties when imperial officials stationed in Beijing brought their private chefs and such different varieties of culinary styles mixed and developed over time to form a unique breed of its own, and thus the Chinese aristocrat cuisine is often called private cuisine. The current Chinese aristocrat cuisine is a mixture of Shandong cuisine, Huaiyang cuisine and Cantonese cuisine. As Beijing was the capital of the last three Chinese dynasties, most of the Chinese aristocrat cuisine originated in Beijing. Currently, there are a total of nine varieties of Chinese aristocrat cuisine. (Full article...)
This is a good article, an article that meets a core set of high editorial standards.
Image 1
The Deliberative Council of Princes and Ministers (traditional Chinese: 議政王大臣會議; simplified Chinese: 议政王大臣会议; pinyin: Yìzhèng Wáng Dàchén Huìyì), also known as the Council of Princes and High Officials and Assembly of Princes and High Officials, or simply as the Deliberative Council (traditional Chinese: 議政處; simplified Chinese: 议政处; pinyin: Yìzhèng Chù; Manchu: ᡥᡝᠪᡝ ᡳ ᠪᠠ, Möllendorff: hebe-i ba), was an advisory body for the emperors of the early Qing dynasty (1644–1912). Derived from informal deliberative groups created by Nurhaci (1559–1626) in the 1610s and early 1620s, the Council was formally established by his son and successor Hong Taiji (1592–1643) in 1626 and expanded in 1637. Staffed mainly by Manchu dignitaries, this aristocratic institution served as the chief source of advice on military matters for Hong Taiji and the Shunzhi (r. 1643–1661) and Kangxi (r. 1661–1722) emperors. It was particularly powerful during the regencies of Dorgon (1643–1650) and Oboi (1661–1669), who used it to enhance their personal influence.
After serving as the most influential policymaking body of the dynasty for more than a century, the Deliberative Council was displaced and then made obsolete by the more ethnically mixed Grand Council, which the Yongzheng Emperor (r. 1722–1735) created in the late 1720s to circumvent the influence of the deliberative princes and ministers. The Deliberative Council was formally abolished in 1792. (Full article...)
Image 2
Fernão Pires de Andrade (also spelled as Fernão Peres de Andrade; in contemporary sources, Fernam (Fernã) Perez Dandrade) (d. 1552) was a Portuguese merchant, pharmacist, and diplomat who worked under the explorer and colonial administrator Afonso de Albuquerque. His encounter with Ming China in 1517—after initial contacts by Jorge Álvares and Rafael Perestrello in 1513 and 1516, respectively—marked the resumption of direct European commercial and diplomatic contact with China. (Even though there were Europeans in Medieval China, notably Marco Polo, that period of contact had been interrupted by the fall of the Yuan dynasty.)
Although de Andrade's mission was initially a success that allowed a Portuguese embassy to proceed all the way to Beijing, relations were soon spoiled by culminating events that led to an extremely negative impression of the Portuguese in China. This included acts of his brother Simão that enraged the Chinese, false reports of the Portuguese being cannibals of kidnapped Chinese children and true reports of their conquest of Malacca, a loyal Ming tributary state. Normalized trade and relations between Portugal and the Ming dynasty would not resume until the late 1540s and the 1557 establishment of Portuguese rule over Macau. (Full article...)
In the 1880s and early 1890s, the Beiyang Fleet conducted a routine of training exercises and cruises abroad, with emphasis placed on visits to Japan to intimidate the country. The latter resulted in the Nagasaki Incident in 1886 and contributed to a rise in hostility between the two countries that culminated in the First Sino-Japanese War in 1894. She saw action at the Battle of the Yalu River on 17 September, where the Japanese Combined Fleet sank much of the Beiyang Fleet, though both Zhenyuan and Dingyuan survived despite numerous hits. The survivors then retreated to Port Arthur for repairs, but after that city was threatened by the Japanese army, fled to Weihaiwei. While entering the port, Zhenyuan struck an uncharted rock and was badly damaged; she was used as a stationary artillery battery during the Battle of Weihaiwei in February 1895, but Japanese forces captured the city's fortifications, which forced the Chinese to surrender the fleet. (Full article...)
The Heilongjiang hand cannon (in 2021), a hand cannon dated to 1288 based on its proximity to a battle between the rebel prince Nayan and Yuan dynasty forces armed with hand cannons The Heilongjiang hand cannon or hand-gun is a bronze hand cannon manufactured no later than 1288 and is the world's oldest confirmed surviving firearm. It weighs 3.55 kg (7.83 pounds) and is 34 centimeters (13.4 inches) long. The Heilongjiang hand cannon was excavated during the 1970s in Banlachengzi, a village in Acheng District, Heilongjiang province, China. It was found alongside other bronze artifacts made in the style of the JurchenJinDynasty (12th–13th century). The hand cannon was probably used in battles fought nearby in Banlachengzi in 1287 and 1288. The History of Yuan states that a Jurchen commander by the name of Li Ting led a group of soldiers equipped with hand cannons into a military camp in 1288, as part of an anti-rebellion campaign for the Yuan dynasty. The cannon currently resides at the Heilongjiang Provincial Museum in Harbin, China. (Full article...)
Image 6
The Ten-Thousand Buddha Hall (Wànfó diàn) of Zhenguo Temple
Zhenguo Temple (Chinese: 镇国寺) is a Buddhist temple located 10 km from Pingyao in the village of Hadongcun, in Shanxi Province, China. The temple's oldest hall, the Wanfo Hall, was built in 963 during the Northern Han dynasty, and is notable for featuring very large brackets that hold up the roof and flying eaves. The sculptures inside the hall are among the only examples of 10th century Buddhist sculpture in China. (Full article...)
Lantian Man (simplified Chinese: 蓝田人; traditional Chinese: 藍田人; pinyin: Lántián rén), Homo erectus lantianensis) is a subspecies of Homo erectus known from an almost complete mandible from Chenchiawo (陈家窝) Village discovered in 1963, and a partial skull from Gongwangling (公王岭) Village discovered in 1964, situated in Lantian County on the Loess Plateau. The former dates to about 710–684 thousand years ago, and the latter 1.65–1.59 million years ago. This makes Lantian Man the second-oldest firmly dated H. erectus beyond Africa (after H. e. georgicus), and the oldest in East Asia. The fossils were first described by Woo Ju-Kan in 1964, who considered the subspecies an ancestor to Peking Man (H. e. pekinensis).
Like Peking Man, Lantian Man has a heavy brow ridge, a receding forehead, possibly a sagittal keel running across the midline of the skull, and exorbitantly thickened bone. The skull is small by absolute measure, and has narrower postorbital constriction. The teeth are proportionally large compared to other Asian H. erectus. The brain volume of the Gongwangling skull is about 780 cc, similar to contemporary archaic humans in Africa, but much smaller than later Asian H. erectus and modern humans. (Full article...)
Image 8
MacMurray in November 1924
John Van Antwerp MacMurray (October 6, 1881 – September 25, 1960) was an American attorney, author and diplomat best known as one of the leading China experts in the U.S. government. He served as Assistant Secretary of State from November 1924 to May 1925, and was subsequently appointed Minister to the Republic of China in 1925. Although MacMurray had coveted the China post, he soon fell into disagreement with the State Department over U.S. policy towards the ruling the Nationalist government. He resigned the position in 1929 and briefly left the foreign service. Following several years in academia, MacMurray returned to the State Department to become Minister to Estonia, Latvia and Lithuania from 1933 to 1936. He later served as ambassador to Turkey from 1936 to 1941, and then was made a special assistant to the Secretary of State until his retirement in 1944.
In 1935, MacMurray was commissioned to write a memorandum on the conflict between China and Japan. In it, he suggested that the United States, China, and Great Britain were partly to blame for Japan's invasion of China, and argued that unless the United States stopped opposing Japanese domination of China, a war between the two powers was likely. Japan later attacked the United States at Pearl Harbor in December 1941, drawing the US into World War II. (Full article...)
Completed in early 1883 and 1884, respectively, Dingyuan and Zhenyuan were prevented from sailing to China during the Sino-French War, but first saw combat at the Battle of the Yalu River on 17 September 1894, during the First Sino-Japanese War. They were next in combat during the Battle of Weihaiwei in early 1895, where they were blockaded in the harbour. Dingyuen was struck by a torpedo, and was beached where it continued to operate as a defensive fort. When the fleet was surrendered to the Japanese, she was destroyed while Zhenyuan became the first battleship of the Imperial Japanese Navy as Chin Yen. She was eventually removed from the Navy list in 1911, and was sold for scrap the following year. (Full article...)
Image 10
Frameless
Japanese soldiers atop a gate in the walled city of Jinan, May 1928
Japanese soldiers had been deployed to Shandong province to protect Japanese commercial interests in the province, which were threatened by the advance of Chiang's Northern Expedition to reunite China under a Kuomintang government. When the NRA approached Jinan, the Beiyang government-aligned army of Sun Chuanfang withdrew from the area, allowing for the peaceful capture of the city by the NRA. NRA forces initially managed to coexist with Japanese troops stationed around the Japanese consulate and businesses, and Chiang Kai-shek arrived to negotiate their withdrawal on 2 May. This peace was broken the following morning, however, when a dispute between the Chinese and Japanese resulted in the deaths of 13–16 Japanese civilians. The resulting conflict resulted in thousands of casualties on the NRA side, which fled the area to continue northwards toward Beijing, and left the city under Japanese occupation until March 1929. (Full article...)
The Chongqing model was characterized in part by increased state control and the promotion of a neo-leftist ideology. It involved a sweeping and sometimes extrajudicial campaign against organized crime, and increased the security and police presence in the city. As a means of addressing declining public morality, Bo launched a "red culture" movement to promote Maoist-era socialist ethics. On the economic front, he actively courted foreign investment and focused on manufacturing for domestic consumption. The Chongqing model was also characterized by massive public works programs, subsidized housing for the poor, and social policies intended to make it easier for rural citizens to move to the city. (Full article...)
Image 13
Map of Battle of Unsan on the night of 1 – 2 November 1950
Rome's Sacred Congregation for the Propagation of the Faith sided with the Dominicans in 1645 by condemning the Chinese rites based on their brief. However, the same congregation sided with the Jesuits in 1656, thereby lifting the ban. It was one of the many disputes between the Jesuits and the Dominicans in China and elsewhere in Asia, including Japan and India. The conflict between the Jesuits and their opponents took on a historical dimension, with the former insisting that Europeans and the Chinese had a shared history, which was taken to legitimise the Jesuit "accommodation" of Chinese rites and names for the Christian God. (Full article...)
Image 27Relief of a fenghuang in Fuxi Temple (Tianshui). They are mythological birds of East Asia that reign over all other birds. (from Chinese culture)
Image 36Tea caddy, Chinese - Indianapolis Museum of Art (from Chinese culture)
Image 37Photo showing serving chopsticks (gongkuai) on the far right, personal chopsticks (putongkuai) in the middle, and a spoon. Serving chopsticks are usually more ornate than the personal ones. (from Chinese culture)
Image 38Red lanterns are hung from the trees during the Chinese New Year celebrations in Ditan Park (Temple of Earth) in Beijing. (from Chinese culture)
Image 44Gilin with the head and scaly body of a dragon, tail of a lion and cloven hoofs like a deer. Its body enveloped in sacred flames. Detail from Entrance of General Zu Dashou Tomb (Ming Tomb). (from Chinese culture)
This is a list of recognized content, updated weekly by JL-Bot (talk·contribs) (typically on Saturdays). There is no need to edit the list yourself. If an article is missing from the list, make sure it is tagged (e.g. {{WikiProject China}}) or categorized correctly and wait for the next update. See WP:RECOG for configuration options.
The President of the Republic of China is the head of state of the Republic of China (ROC).
The Constitution names the president as head of state and commander-in-chief of the Republic of China Armed Forces (formerly known as the National Revolutionary Army). The president is responsible for conducting foreign relations, such as concluding treaties, declaring war, and making peace. The president must promulgate all laws and has no right to veto. Other powers of the president include granting amnesty, pardon or clemency, declaring martial law, and conferring honors and decorations.
The current President is Lai Ching-te(pictured), since May 20, 2024. Lai is a Taiwanese politician and former physician, who is currently serving as the eighth president of the Republic of China under the 1947 Constitution and the third president from the Democratic Progressive Party (DPP).
.jpg)
.svg){kind=small}
.svg){kind=small}
.jpg)
.svg)
.jpg)
.png)
-111425_(24150640974).jpg)
_-_1958.213.b_-_Cleveland_Museum_of_Art.jpg)
.jpg)
.svg)
.jpg)
.jpg)
_(cropped).jpg)
wiki incubator Xiang (湘语)
Commons
Wikibooks
Wikidata
Wikinews
Wikiquote
Wikisource
Wikiversity
Wikivoyage
Wiktionary
.jpg){kind=link}
_in_1963_-_Restoration.jpg){kind=link}
_(cropped).jpg){kind=link}
.jpg){kind=link}
_-_Restoration.jpg){kind=link}
_(BM_1906,1220,0.1311).jpg){kind=link}
